Martha Bancroft Johnson

Martha Bancroft JohnsonMartha Bancroft JohnsonMartha Bancroft Johnson
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Martha Bancroft Johnson

Martha Bancroft JohnsonMartha Bancroft JohnsonMartha Bancroft Johnson
  • Home
  • About
  • Resume
  • Productions
    • Antigonick
    • Glass & Lady M.
  • Contact Us

RESUME

Martha B. Johnson


ARTISTIC LEADERSHIP

Minneapolis / Saint Paul, Minnesota

   

Full Circle Theater Company, 

  • Co-founder, Core Artist Leadership Group, 2014 - 2024  
  • Co-Artistic Director, 2014 - 2022


Theater Mu

  • Co-founder
  • Core Artistic Group, 1992 – 2013   


21st Street Players

  • Co-founder
  • Co-Artistic Director, Core Artist, 1981-86


STAGE DIRECTOR


At Full Circle Theater: 

  • Antigonick, a new translation by Anne Carson of Sophocles' Antigone at Mixed Blood Theatre, May-June 2023. 
  • Glass and Lady M., Glass by Lindsey Bushnell and Lady M. by Martha B. Johnson, recording streamed virtually at the 2021 Minnesota Fringe Festival.  
  • Atacama by Augusto Federico Amador, staging of the first two scenes for public streaming, 2021. 
  • Glass and Lady M., Full Circle Theater production at Dreamland Arts, Minnesota 2019 Fringe Festival; received a Broadway World nomination for best original/new work. 
  • 365 Days/Plays by Suzan Lori-Parks: a 2017 Remix, provided the overall vision and staging concept and directed 16 of its 46 short plays, produced at Penumbra Theater, 2017.  
  • Assistant directed Caught by Christopher Chen, directed by Rick Shiomi, at the Guthrie Theater Dowling Studio in 2019.
  • Assistant directed Theater: A Sacred Passage at Dreamland Arts in 2015, directed by Rick Shiomi. 


At New Native Theater: 

  • Stolen Generation, by Ardie Medina, produced in Minneapolis and toured to various Native American Reservations and Communities in the upper Midwest, 2016

ANTIGONICK, LR:Dominique Jones,Oogie_Push,Laila Sahir, Keivin Vang

ANTIGONICK: 

L-R: Dominique Jones, Oogie_Push, Laila Sahir, Keivin Vang

At Theater Mu/Mu Performing Arts: 

  • Dipped in Love, Playwright, Directed by Jennifer Weir, at the 2008 MN Fringe Festival.  Cast: Maria Kelly, Momoko Tanno, and Jennifer Rives. Mixed Blood Theater, 2008.
  • Dipped in Love, Playwright, Directed by Jennifer Weir, Cast:  Katie Leo, Maria Kelly, Carolyn Pool; by Sarah Moore (aka Martha Johnson) New Directions Festival  Mixed Blood Theater, 2007
  • The Hand that Holds the String, Director, dramaturg, co-creator; produced at the Southern Theater (2 pieces billed as “Hand Women, Men Swing.”); developed from the personal narratives of four women who’d emigrated from India to the U.S., 1997
  • Land of a Million Elephants, Director, Dramaturg; River of Dreams trilogy of new plays produced at Ordway’s McKnight Theater, based on the personal narrative of Pong Suryaday, Laotian immigrant and classical dancer, 1994
  • Grace, Director, Dramaturg, Choreographer;  at “Celestial Celebration” produced by Theater Mu, Asian American Renaissance, Asian Media Access, at Theatre de la Jeune Lune; Grace was written and performed by Rose Chu, Diane Espaldon, Sophia Kim, 1993
  • Triangles, Director, Choreographer, Dramaturg; featuring Ed Bok Le, Rick Shiomi, Tom Lee; drummer Ju-Won Lee, 1992, as part of Theater Mu's 1992 Company Debut, "Many Voices" at the Southern Theater.
  • Triangles was subsquently selected by Walker Art Center for its Out There Series, January 1993, featuring Ed Bok Le, Rick Shiomi, Tom Lee; drummer Ju-Won Lee, produced by Theater Mu.


Stage Direction Consultant/Assistant Director at Theater Mu, Rick Shiomi, Director, (selected): 

  • A Little Night Music, Park Square Theater, 2014 
  • The Mikado (re-envisioned), co-produced by Sklylark Opera, E. M. Pearson Theater, 2013 
  • Yellow Fever at the Dowling, the Guthrie Theater, 2013 
  • Flower Drum Song, McKnight Theater, Orway Center for Performing Arts, 2009
  • A Midsummer Night’s Dream, the Southern Theater, 2006

Ranee Ramaswamy, Veena Deo, Mithu Mukherjee-Schwartz, Santwana Dasgupta: Hand that Holds the String

PLAYWRIGHT/DRAMATURG/PERFORMER  


  • Antigonick, Dramaturg (& Director), a new translation by Anne Carson, of Sophocles' Antigone at Mixed Blood Theatre, Full Circle Theater, 2023
  • Dipped in Love, Playwright; Japanese translation by Momoko Tanno, co-produced in Tokyo by KinderSpace Theater and Full Circle theater, directed by Kazuki Harada, 2019 
  • Theater a Sacred Passage, Co-writer, Dramaturg, produced by Full Circle Theater, 2015 
  • Dancing with Demons, Co-writer/Performer, with Iris Shiraishi; staged reading presented by Mu Performing Arts, Dreamland Arts, New Eyes Festival, exploring personal demons holding women back in the professional theater world, 2009
  • Dipped in Love, Playwright; directed by Jennifer Weir, produced by Mu Performing Arts at Mixed Blood Theater for the New Directions Festival, 2007; and subsequently for the Minnesota Fringe Festival, 2008
  • Floating Mothers, Co-writer/Performer; independently produced at The Playwrights’ Center, with Darcey Engen, based on personal narratives as mothers, 2002 
  • The Hand that Holds the String, Co-creator, Dramaturg; written and performed by Ranee Ramaswamy, Mithu Mukherjee-Schwartz, Veena Deo, and Santwana DasGupta; Produced by Mu Performing Arts, 1997  
  • World of Glass, Performer (Britomart); Co-conceiver; Co-artistic director; independently produced; an adaptation of Spenser's Faerie Queene, by Alexandra Cromwell, Southern Theatre; choreographed by Ranee Ramaswamy, 1994 
  • Lucretia, Director, Performer (Lucretia); a theatrical impression of Rembrandt’s painting of Lucretia housed at Mia (Minneapolis Museum of Art), with a script inspired by Thornton Wilder’s rarely staged The Rape of Lucrece; co-presented by 21st Street Players and Mia, in association with:  “Lucretia: Theater, Word, & Image,” symposium featuring British artist and curator Sir Lawrence Gowing, April,1987
  • Rashōmon, Performer (Masago); Dramaturg; conceived, directed, and choreographed by Kita Noh actor Akira Matsui, Hennepin Center for the Arts, 21st Street Players, May-June, 1985
  • A Journey to the Well, Performer; (Queen, Evil Sister); Dramaturg; an original theater piece created for 21st Street Players by poet Robert Bly, Landmark Center and Hennepin Center for the Arts, 21st Street Players, 1984 
  • Hōichi, Performer (Warrior - Noritsune; Buddhist Nun - Jakusho); Dramaturg; conceived, directed, and choreographed by Kita Noh actor Akira Matsui; based on Japanese tale, HOICHI, with English script by Dorothea Jensen; commissioned by Walker Art Center, 21st Street Players, May, 1983

TRIANGLES, Theater Mu; Ed Bok Le, Rick Shiomi, Tom Lee; drummer Ju-Won Lee (Photo: Charissa Uemura)

STAGE DIRECTOR, TEACHING ARTIST, PROFESSOR

Augsburg University - 1988 - 2014 - Direction of 30 main-stage productions:

  • Classic plays by Aeschylus, Sophocles, Kalidasa, Shakespeare, Calderon, Corneille, Moliere, Chekhov, Ibsen, and Garcia Lorca  
  • Modern playwriting adaptations of Greek tragedy: John Lewin’s House of Atreus; Jean Anouilh’s Antigone;  
  • Contemporary reimaginings of Greek tragedy or myth: Anne Carson’s Antigonick; Sarah Ruhl’s Eurydice 
  • Various other modern and contemporary works 
  • Photo: A Midsummer Night's Dream, 2014, courtesy of Augsburg University

Areas of Teaching

  • Stage Direction
  • Theater History and Criticism
  • Traditional Theaters of Asia
  • Asian American Theater
  • Movement and Improvisation

EDUCATION


PhD Theatre and Drama

University of Wisconsin-Madison

     Advisors: A.C. Scott, Phillip Zarrilli

     Consultant and Mentor: Akira Matsui, Japanese Noh Actor, Kita School


PhD Minors: 

Classics and Art History, Advisors Barbara Hughes Fowler and Warren G. Moon


Assistantships:

 5 years Graduate Assistant, Asian Experimental Theatre Program, under A.C. Scott


Other Training:

9 years tai chi chuan, movement, mask, actor training, A.C. Scott's Asian Experimental Theatre Program

4 years dance training, Dance Department


Actor Performer, Asian Experimental Theater Program

     Plays Directed/Co-Directed by A.C. Scott:

Kanjincho, Namiki Gohei III, co-directed by Onoe Kuroemon II (Yoshitsune)

Twilight Crane (Yuzuru), Junji Kinoshita (Tsu)

Two Revue Sketches & The Dumb Waiter, Harold Pinter (Second Old Lady, Lady in Queue)

The Bald Soprano, Eugene Ionesco (Mrs. Smith, Mrs. Martin, alternating roles)

Come and Go, Samuel Beckett (Vi)

The Trojan Women, Euripides/Jean-Paul Sartre, co-directed by Richard Hughes (Cassandra, Andromache, Chorus, alternating roles)

The Exception and the Rule, Bertolt Brecht (Coolie, Judge, Coolie’s Wife, alternating roles)

Encounter, Marguerite Duras (The Girl)

Waiting for Godot, Samuel Beckett (Vladimir)

     

MA Theatre and Drama

University of Wisconsin-Madison

     Advisor: A.C. Scott


BA Theater and Drama

     Graduated With Distinction

     Minor in Dance


St. John's College, Annapolis/Santa Fe

     2 years Undergraduate, Santa Fe

     Focus: Ancient Greek literature, philosophy, science, music


Publications

Co-editor, Association for Asian Performance (AAP) Newsletter, 1987 – 1993


“Reflections of Inner Life: Masks and Masked Acting in Ancient Greek Tragedy and Japanese Noh Drama,” Modern Drama, 35, May, 1992 (Special East-West Issue)


Unpublished

The Mask in Ancient Greek Tragedy: A Reexamination Based on the Principles and Practices of the Noh Theater of Japan, PhD dissertation, University Microfilms International, Ann Arbor, Mich., 1984


An Examination of William Butler Yeats' Use of the Noh Theatre as a Model for his Dance Plays, MA Thesis, University of Wisconsin-Madison

SELECTED RECOGNITIONS


  • Classics scholar Eric Dugdale's in-depth analysis of her direction of the 2014 Augsburg University production of Anne Carson’s Antigonick, published in Didaskalia, summer, 2014. 


  • Nationally selected for participation in the Harvard University Center for Hellenic Studies seminar, Song Culture of Athenian Drama, cosponsored by the Council of Independent Colleges, 2013.   


  • Interviewed for Siyuan Liu’s article,  “A.C. Scott,” Asian Theatre Journal, Volume 28, Number 2, Fall 2011  


  • Co-Recipient of the Playwrights’ Center’s Multicultural Collaboration grant, Jerome Foundation and NEA's Diverse Visions Program, and the Metropolitan Regional Arts Council, for various professional theater projects in the Twin Cities.  


  • The Hand That Holds the String, is the main subject of A Different Kind of Asian American:  Negotiating and Redefining Asian/American in Theater Mu, opening chapter, Northwestern Ph.D. dissertation by Hsui-chen Lin Classon, completed December 2000  


  • Roberta Uno solicited the script/video recording of The Hand That Holds The String for the national archives of plays by Asian American women, when she was director of the New World Theatre, 1999.


  • Vice-President, Association for Asian Performance, 1990 – 1993



Copyright © 2025 Martha Bancroft Johnson - All Rights Reserved.


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