ARTISTIC LEADERSHIP
Minneapolis / Saint Paul, Minnesota
Full Circle Theater Company,
Theater Mu
21st Street Players
STAGE DIRECTOR
At Full Circle Theater:
At New Native Theater:
At Theater Mu/Mu Performing Arts:
Stage Direction Consultant/Assistant Director at Theater Mu, Rick Shiomi, Director, (selected):
Ranee Ramaswamy, Veena Deo, Mithu Mukherjee-Schwartz, Santwana Dasgupta: Hand that Holds the String
PLAYWRIGHT/DRAMATURG/PERFORMER
TRIANGLES, Theater Mu; Ed Bok Le, Rick Shiomi, Tom Lee; drummer Ju-Won Lee (Photo: Charissa Uemura)
EDUCATION
PhD Theatre and Drama
University of Wisconsin-Madison
Advisors: A.C. Scott, Phillip Zarrilli
Consultant and Mentor: Akira Matsui, Japanese Noh Actor, Kita School
PhD Minors:
Classics and Art History, Advisors Barbara Hughes Fowler and Warren G. Moon
Assistantships:
5 years Graduate Assistant, Asian Experimental Theatre Program, under A.C. Scott
Other Training:
9 years tai chi chuan, movement, mask, actor training, A.C. Scott's Asian Experimental Theatre Program
4 years dance training, Dance Department
Actor Performer, Asian Experimental Theater Program
Plays Directed/Co-Directed by A.C. Scott:
Kanjincho, Namiki Gohei III, co-directed by Onoe Kuroemon II (Yoshitsune)
Twilight Crane (Yuzuru), Junji Kinoshita (Tsu)
Two Revue Sketches & The Dumb Waiter, Harold Pinter (Second Old Lady, Lady in Queue)
The Bald Soprano, Eugene Ionesco (Mrs. Smith, Mrs. Martin, alternating roles)
Come and Go, Samuel Beckett (Vi)
The Trojan Women, Euripides/Jean-Paul Sartre, co-directed by Richard Hughes (Cassandra, Andromache, Chorus, alternating roles)
The Exception and the Rule, Bertolt Brecht (Coolie, Judge, Coolie’s Wife, alternating roles)
Encounter, Marguerite Duras (The Girl)
Waiting for Godot, Samuel Beckett (Vladimir)
MA Theatre and Drama
University of Wisconsin-Madison
Advisor: A.C. Scott
BA Theater and Drama
Graduated With Distinction
Minor in Dance
St. John's College, Annapolis/Santa Fe
2 years Undergraduate, Santa Fe
Focus: Ancient Greek literature, philosophy, science, music
Publications
Co-editor, Association for Asian Performance (AAP) Newsletter, 1987 – 1993
“Reflections of Inner Life: Masks and Masked Acting in Ancient Greek Tragedy and Japanese Noh Drama,” Modern Drama, 35, May, 1992 (Special East-West Issue)
Unpublished
The Mask in Ancient Greek Tragedy: A Reexamination Based on the Principles and Practices of the Noh Theater of Japan, PhD dissertation, University Microfilms International, Ann Arbor, Mich., 1984
An Examination of William Butler Yeats' Use of the Noh Theatre as a Model for his Dance Plays, MA Thesis, University of Wisconsin-Madison
SELECTED RECOGNITIONS
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